Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . (41.) All as in the rig-lit hand. (42.) The left hand as firm and tranquil as the rig-ht. The fingering* is here likewise according to the 3 positions. «£ ^S . i Transition from Gb to (43.) All the black keys are employed, and the thumb falls on B and E. The Scalo inthis key is the easiest of all, in respect to equality and beauty of performance i
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . (41.) All as in the rig-lit hand. (42.) The left hand as firm and tranquil as the rig-ht. The fingering* is here likewise according to the 3 positions. «£ ^S . i Transition from Gb to (43.) All the black keys are employed, and the thumb falls on B and E. The Scalo inthis key is the easiest of all, in respect to equality and beauty of performance in every de_gree of movement; because the thumb is always passed under on to the next white key,which it can very conveniently effect beneath the middle fing*er, when this latter is pro_perly bent. &4.) The uninterrupted manner is here ag-ain the more useful, because two different blackkeys occur in the chord. The 3<* finger is never used here. aft0.°I. with both hands. 8V. G7 l^fO
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
