The elements of musick display'd; or, Its grammar, or ground-work made easy: rudimental, practical, philosophical, historical, and technical .. . lowable. From what has been laid, it appears, that the more Partsthe Compcfition contains, the more redoublings of Concords,are required ; fome of the Parts muft meet in Unifon, whenthey cant afcend to the —(See 8 Parts on P. 144.) You may fee Variety of Compofitions of 5, 6, 7, and 8Parts, in this Book, amongft the Pfalmody, and , C Could you ereff a Thoufand Parts, or more, 7I All, in EffeS, are but the fame as Four. \ CHAP.
The elements of musick display'd; or, Its grammar, or ground-work made easy: rudimental, practical, philosophical, historical, and technical .. . lowable. From what has been laid, it appears, that the more Partsthe Compcfition contains, the more redoublings of Concords,are required ; fome of the Parts muft meet in Unifon, whenthey cant afcend to the —(See 8 Parts on P. 144.) You may fee Variety of Compofitions of 5, 6, 7, and 8Parts, in this Book, amongft the Pfalmody, and , C Could you ereff a Thoufand Parts, or more, 7I All, in EffeS, are but the fame as Four. \ CHAP. III. Of Canons in General, and how compofed. TO compofe a Canon, you muft firft prick down yourFuge (or fuch a Quantity of Notes, as you wouldhave to lead your Point) in one Part-, and then carry thefame Notes forwards, and prick them down in anotherPart, either in the Unifon, 3d, 4th, 5th, or 8th, &c. aboveor below the Leading-Part -, as for „ By this Example, vou 1 [ fee how a Fuge is form- f j ed ; this being in the8th &/©«/, and called a8/^ below. yfrz£/£ Fuge; and by this cj Method, you may com--pofe any Canon whatfo-. E3zz=T=ziqq:i:z ever, and of any Degree above or &/*w the Leading-Part* either in 7W 2#r#, or Four Parts, &c. Then Of Composition, &c. Book IV. 185 Then fill up your vacant Bars with fuch Notes as con-form to the LAWS of Harmony: as follows : The fame fiWdu-p in Score : In the Sth below. Hal-le—lu-jabt Sec.
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