Homeward Bound (New York) ca. 1860 After Erskine Nicol A well-dressed man, originally from Ireland, has done well in America. He now stands on a dock and plans his return, studying a sign lettered, "To Emigrants, Returning New York to Dublin, the Fast Sailing Barque Washington Will Sail Apply here at 11 Broadway." The print is a companion to "Outward Bound (Dublin)" (), and both are based on paintings by the Scottish-born Erskine Nichol. A genre painter who taught in Dublin during the Irish Famine, Nichol's works often respond to that New York firm of Currier & Ives

Homeward Bound (New York) ca. 1860 After Erskine Nicol A well-dressed man, originally from Ireland, has done well in America. He now stands on a dock and plans his return, studying a sign lettered, "To Emigrants, Returning New York to Dublin, the Fast Sailing Barque Washington Will Sail Apply here at 11 Broadway." The print is a companion to "Outward Bound (Dublin)" (), and both are based on paintings by the Scottish-born Erskine Nichol. A genre painter who taught in Dublin during the Irish Famine, Nichol's works often respond to that New York firm of Currier & Ives (established by Nathaniel Currier, who formed a partnership with his brother-in-law James Merritt Ives in 1857), lithographed 4,300 subjects between 1835 and 1907 for distribution across America and Europe. They offered images of almost everything animal, vegetable, or mineral in the United States, and issued landscapes, genre subjects, caricatures, portraits, historical scenes, foreign views and reproductions of art works. The pictures were drawn on lithographic stones, printed in monochrome, then generally hand-colored by women who worked for the firm at Homeward Bound (New York) 366825

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