A dictionary of musical terms, containing upwards of 9000 English, French, German, Italian, Latin and Greek words and phrases, preceded by rules for the pronunciation of Italian, German and French; . uint, andtierce ; to which must be added theunder-phones of the respective leading-tones. Thus, the following chords aredirectly related to the C-major chord:—C-major, /-major, ^-maj or, .(4 ?-major,j59-major, /-minor, C-minor, .4-minor,and/^-minor ; whereas, to the ^-minorchord, are directly related the chordsof :—Z?-minor, is-minor, /-minor, Cj-minor, C-minor, /^jf-minor, /^-major,^-major, C-maj
A dictionary of musical terms, containing upwards of 9000 English, French, German, Italian, Latin and Greek words and phrases, preceded by rules for the pronunciation of Italian, German and French; . uint, andtierce ; to which must be added theunder-phones of the respective leading-tones. Thus, the following chords aredirectly related to the C-major chord:—C-major, /-major, ^-maj or, .(4 ?-major,j59-major, /-minor, C-minor, .4-minor,and/^-minor ; whereas, to the ^-minorchord, are directly related the chordsof :—Z?-minor, is-minor, /-minor, Cj-minor, C-minor, /^jf-minor, /^-major,^-major, C-major, and /^-major.—Therelation of the tones depending on thatof the the tonics (tonic phones), it fol-lows, that any key is directly related toC-major (or .4-minor), whose tonic isone of the phones (chords) given aboveas directly related to the chord of C-major(or .-i-minor). § 5. Phonic progression {Klang-foige) is the progression between twochords with reference to their signifi-cance as phones. The ordinary methodof marking the phones (major and mi-nor triads) b^ the Roman numerals I,II, III, IV, etc. (comp. Chord) isinadequate from the standpoint of freetonality; this passage:. c I f- Y III c : \T v is hardly intelligible with such a figur-ing ; although it in no way signifies amodulation into another key, one mustperforce consider the ?^-?????. as in/-minor, and the Z>-chord as in C-ma-ior. For such progressions, a figuringwith reference to a scale is simply im-possible ; they are referable to free to-nality, an idea but recently recognized,whose scope extends far beyond thebounds of diatonic harmony. Tonality PHONIKON—PHYSHARMONIKA. 149 knows neither diatonic nor foreignchords, but only a tonic phone and ref-erable (related) phones. In the aboveexample, the C-major triad is through-out the tonic phone, to which the othersare referable ; the .-i[7-major chord isits under-tierce phone, the Z-minorchord is its second over-quint phone,and the C-major chor
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