Kloskant collar inspired by lying 17th century collars and accompanying engagement photo (copy) of Bram Pleging and Jet Faber who made the collar and wore during her engagement, Preging-Faber, c. 1914 - c. 1916 Collar of linen with a border of natural torway side. Trapezoidal lying model, with U-shaped neck opening. The repeating pattern consists of half -doval sculptures, with a four -lobbish rosette of eight Spitsovale leaves made in shape. The rosette is in the center of a braided wheel with eight points that form a star. The sculptes are finished with picoted pointed braids. The four

Kloskant collar inspired by lying 17th century collars and accompanying engagement photo (copy) of Bram Pleging and Jet Faber who made the collar and wore during her engagement, Preging-Faber, c. 1914 - c. 1916 Collar of linen with a border of natural torway side. Trapezoidal lying model, with U-shaped neck opening. The repeating pattern consists of half -doval sculptures, with a four -lobbish rosette of eight Spitsovale leaves made in shape. The rosette is in the center of a braided wheel with eight points that form a star. The sculptes are finished with picoted pointed braids. The four corner sculptures, two rear and two from the front, are fitted egg-shaped. The whole is inspired by a type of collar, which was popular in the 17th century. The maker of the collar, Johanna Henriëtte Faber (Jet), succeeded Louise van der Meulen-Nulle as a lace teacher at the Rijksschool for Applied Arts in 1916. She carries the collar in the same year with her engagement with Abraham Pleging (Bram). The collar can be seen in the photo, which was taken on this occasion of the engagement couple and of which a copy was given at the lace collar. There is also an original photo portrait of Johanna Henriëtte Faber on which she wears the collar. Amsterdam linen (material) bobbin lace Collar of linen with a border of natural torway side. Trapezoidal lying model, with U-shaped neck opening. The repeating pattern consists of half -doval sculptures, with a four -lobbish rosette of eight Spitsovale leaves made in shape. The rosette is in the center of a braided wheel with eight points that form a star. The sculptes are finished with picoted pointed braids. The four corner sculptures, two rear and two from the front, are fitted egg-shaped. The whole is inspired by a type of collar, which was popular in the 17th century. The maker of the collar, Johanna Henriëtte Faber (Jet), succeeded Louise van der Meulen-Nulle as a lace teacher at the Rijksschool for Applied Arts in 1916. She carries t

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