School catalog, 1897-1898 . ed examples, mostly originalworks by Prof. Dana. (5) Out-of-Door Sketching. The work of this class will be found to be of the utmostvalue to students of Illustration and of Architecture, as itconsists largely of the artistic rendering of subjects of espe-cial interest to them. Not only is Prof. Dana at the Schoolevery Wednesday morning, but he also devotes such timeto the work of the other classes as is necessary for criticismand direction in this branch of study. 29 Course in Illustration. (i) Drawing from casts and Models in pencil and crayon. (2) Wash Drawing-—Se
School catalog, 1897-1898 . ed examples, mostly originalworks by Prof. Dana. (5) Out-of-Door Sketching. The work of this class will be found to be of the utmostvalue to students of Illustration and of Architecture, as itconsists largely of the artistic rendering of subjects of espe-cial interest to them. Not only is Prof. Dana at the Schoolevery Wednesday morning, but he also devotes such timeto the work of the other classes as is necessary for criticismand direction in this branch of study. 29 Course in Illustration. (i) Drawing from casts and Models in pencil and crayon. (2) Wash Drawing-—Sepia, India Ink, etc. (3) Drawing in Pen-and-ink. Objects of Indnstrial Art. (4) Furniture and Interiors. (5) Flowers and Foliage from Nature. (6) Perspective. (7) Decorative Lettering. (8) Drawing from the Antique. (9) Life Class. (10) Sketch Class. (11) Original Design for Aignettes, Book Plates, Head-and Tail-pieces, Illuminated Titles, Initials, etc. (12) Original Compositions, involving the use of theHuman Fig-ure. 30. nr ?nnsiGu^roi ij- Design for Bank. By C. McConaushy- Course in Hrcbitectural Drawing. James P. Jamiesox, Instructor in Charge. (i) The Orders of Architecture. (2) Shades and Shadows. (3) Wash Drawings in India Ink and in Color. (4) Architectural Design. Classic and Renaissance. (5) Academic Rendering of Plans and Elevations inMonochrome and in Color. (6) Perspective. (7) Rendering, with the Brush, and in course covers two years, and on its completion a certificate is awarded. Competition for the Frederic Graf?Prize of $ is confined to the students who are pursuingthis course. Course in Interior Decoration* DAY AND EVENING CLASSES. (i) The nature of the various materials employed inPainting—Sizes, Oils, Dryers, Varnishes, Pigments,etc. (2) Selection, care and proper handling of Brushes andother tools and implements. (3) Lettering. (4) The use of Pounces and Stencils. (5) Lining and Simple Scrolls. (6) Stencil Cutting. (7) Freehand Dr
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