Tarry at home travels . mpest 142 TARRY AT HOME TRAVELS then and brought these stories in. So is it thatthe mise en scene of the ^Tempest is not that ofthe West Indies or of Bermuda where there areno brooks^ nor flying squirrels, nor mussels inthe brook nor sassafras logs, but is a copy ofCuttyhunk, as Gosnold and his sailors found is it that Miranda, God bless her! is a Mas-sachusetts girl. Probably no one in the world accepts thiscriticism on Shakespeare excepting me. ButI do accept it, and this reader had better acceptit, for it will be the received comment in theyear 1950. It has bee
Tarry at home travels . mpest 142 TARRY AT HOME TRAVELS then and brought these stories in. So is it thatthe mise en scene of the ^Tempest is not that ofthe West Indies or of Bermuda where there areno brooks^ nor flying squirrels, nor mussels inthe brook nor sassafras logs, but is a copy ofCuttyhunk, as Gosnold and his sailors found is it that Miranda, God bless her! is a Mas-sachusetts girl. Probably no one in the world accepts thiscriticism on Shakespeare excepting me. ButI do accept it, and this reader had better acceptit, for it will be the received comment in theyear 1950. It has been said already in these papers thatif you want to know anything, you had bettergo and see it yourself. That is their text. Per-sonal presence moves the world, as my dear oldfriend Eli Thayer either said or did not say. Ihave always referred the remark to him becausehe lived up to its principle. This is true, thatyou remember what you have seen as you donot remember so well what you hear, as I thinkHorace says before ^^^^\\^;^>vt^U.
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