Tatting and netting . No. 16.—Corker op Tatted No 15.—Tatted Square. tatting (insertion), by which the rows composingthis tidy could be made. The arrangement of eitherof the designs can with no difficulty be changed tosuit this design, since the principle is the same inboth. Owing to the fact that the tidy illustratedhad undergone the laundry process before it wasphotographed, and had in consequence suffereddisintegration, the cut shows the imperfection inthe detachment of one of its rosettes. The latterare all to be connected at each side to the in-tervening bars as seen in the lower a
Tatting and netting . No. 16.—Corker op Tatted No 15.—Tatted Square. tatting (insertion), by which the rows composingthis tidy could be made. The arrangement of eitherof the designs can with no difficulty be changed tosuit this design, since the principle is the same inboth. Owing to the fact that the tidy illustratedhad undergone the laundry process before it wasphotographed, and had in consequence suffereddisintegration, the cut shows the imperfection inthe detachment of one of its rosettes. The latterare all to be connected at each side to the in-tervening bars as seen in the lower and outer ro-settes. The expert will be able to connect all ofher rosettes, bars and rows as she works; but theymay be made separately and tied together. Made about four inches square and of very finethread, the design develops into the daintiest ofdoileys; but it may be made of coarser thread or cot-ton and of any size desired. A set might comprisetidies, a center-piece and large and small doiley. Tatted Shamrock (For Illustration see Page
Size: 1582px × 1579px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade189, bookpublisherlondon, bookyear1895
