Fragment of a wall decoration with a female dancer ca. 6th century Sasanian The stuccos from the Ma’aridh I house in the Ctesiphon area include several dancers and musicians. This stucco is of a female dancer in motion with a castanet in her hand. She wears a dress with a draped top, belted with a rosette at the waist. This fragment would have been part of a larger scene of musicians and dancers on a wall within the house. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the c

Fragment of a wall decoration with a female dancer ca. 6th century Sasanian The stuccos from the Ma’aridh I house in the Ctesiphon area include several dancers and musicians. This stucco is of a female dancer in motion with a castanet in her hand. She wears a dress with a draped top, belted with a rosette at the waist. This fragment would have been part of a larger scene of musicians and dancers on a wall within the house. The city of Ctesiphon was located on the east bank of the Tigris River, 20 miles (32 km) south of modern Baghdad in Iraq. It flourished for more than 800 years as the capital of the Parthians and the Sasanians, the last two dynasties to rule the ancient Near East before the Islamic conquest in the seventh century. Systematic excavations in the Ctesiphon area were undertaken by an expedition in 1928–29 sponsored by the German Oriental Society (Deutsche Orient-Gesellschaft). The Metropolitan Museum of Art and the Staatliche Museen, Berlin, undertook a joint expedition for one season in 1931–32. Several excavations were conducted, including at the main palace (Taq-i Kisra), in a small fortified area south of the palace at Tell Dheheb, at multiple houses at the mounds of Ma’aridh, and at additional houses at a small mound called Umm ez-Za’ the course of the excavations in the Ctesiphon area, six houses from a series of small mounds called el Ma’aridh were excavated. These houses follow typical Sasanian design with a mix of square and elongated rooms. The house called Ma’aridh I is notable for its columned porch, which may have been decorated. Stucco reliefs were used to adorn the reception hall uncovered in the northwest part of the excavations and another room was decorated with figural scenes painted in vibrant colors. The excavated Sasanian houses have revealed that usually only one large hall or reception area was decorated, with the rest of the house coated with plain plaster. According to the excavators, the various wa

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