Gebrandschilderd raam met de voorstelling van Apelles, ontworpen door Dixon; Ontwerpen panel with Apelles as a personification of painting is part of a larger whole that portrays painters and professions. It is applied to the front hall. In 1882 Cuypers wrote a competition for designing stained glass windows for the front hall of the Rijksmuseum. He invited six artists to participate and send a test window with Apelles. Five of them gave it to this: Dixon, Geuer, F. Nicolas and the Tyrolean glass malerei und Cathedralenglashuette. Dixon finally got the assig
Gebrandschilderd raam met de voorstelling van Apelles, ontworpen door Dixon; Ontwerpen panel with Apelles as a personification of painting is part of a larger whole that portrays painters and professions. It is applied to the front hall. In 1882 Cuypers wrote a competition for designing stained glass windows for the front hall of the Rijksmuseum. He invited six artists to participate and send a test window with Apelles. Five of them gave it to this: Dixon, Geuer, F. Nicolas and the Tyrolean glass malerei und Cathedralenglashuette. Dixon finally got the assignment. His window was placed. The four other test windows are kept in the Rijksmuseum.
Size: 1280px × 2500px
Photo credit: © BTEU/RKM / Alamy / Afripics
License: Licensed
Model Released: No
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