. The hygiene of the vocal organs : a practical handbook for singers and speakers . e whole glottis is openthroughout. Secondly, that in baritone voices the whole glottis is often open to and oc- casionally to :—_.— IS Beyond this note the car- tilaginous portion of the glottis is closed, except inthe rare cases in which the entire glottis remains THE SINGING VOICE. 69 open throughout. Thirdly, that in the bass voice the whole glottis *is sometimes open to FrR ~T B Beyond this point the cartilaginous glottis is gradu-ally closed, except in the few instances in which thewhole glottis remains op
. The hygiene of the vocal organs : a practical handbook for singers and speakers . e whole glottis is openthroughout. Secondly, that in baritone voices the whole glottis is often open to and oc- casionally to :—_.— IS Beyond this note the car- tilaginous portion of the glottis is closed, except inthe rare cases in which the entire glottis remains THE SINGING VOICE. 69 open throughout. Thirdly, that in the bass voice the whole glottis *is sometimes open to FrR ~T B Beyond this point the cartilaginous glottis is gradu-ally closed, except in the few instances in which thewhole glottis remains open. Fourthly, that in so-pranos and mezzo-sopranos the whole glottis is some- times open to f -H often to -1 beyond which the cartilaginous glottis is usually glottis is sometimes closed throughout the scale,and in one case it was open throughout. Fifthly, thatin contralto voices the whole glottis is often open to 1 1—H Beyond this the cartilaginous portion is closed. Sixthly, that in the head voice of womenand the falsetto of men, stop-closure (see page 70) al-. Fig. 8.—Laryngoscopy View of theFemale Glottis in the Produc-tion of a Low Note.
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Keywords: ., bookcentury1800, bookdecade1890, bookidhygien, booksubjectsinging
