Teapot stand ca. 1758–69 Chelsea Porcelain Manufactory The gilding on these pieces (see , b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes. Listen to experts illuminate this artwork's story Listen Play or pause #407. Teapots Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Teapot sta
Teapot stand ca. 1758–69 Chelsea Porcelain Manufactory The gilding on these pieces (see , b–.34) is of a very high order, with tooled work on a thick application of honey gilding selectively matte and burnished for a lively design of pheasants, peacocks, and swallows in a landscape. The deep bowl was for little cakes. Listen to experts illuminate this artwork's story Listen Play or pause #407. Teapots Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as Teapot stand. British, Chelsea. ca. 1758–69. Soft-paste porcelain with enamel decoration and gilding. Chelsea Porcelain Manufactory (British, 1745–1784, Gold Anchor Period, 1759–69). Ceramics-Porcelain
Size: 4000px × 4000px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
