. The story of the exposition; being the official history of the international celebration held at San Francisco in 1915 to commemorate the discovery of the Pacific Ocean and the construction of the Panama Canal. and gave promiseof further power in the field of design, although at present showing a bit toomuch of photographic fidelity to the subject. The Pilgrimage, bySenhor Adriano de Sousa Lopes, Portuguese Commissioner of Fine Arts,received much attention. Holland filled three galleries with paintings and sculpture, and one withetchings, wood cuts, and mezzotints. Here one saw those quiet a
. The story of the exposition; being the official history of the international celebration held at San Francisco in 1915 to commemorate the discovery of the Pacific Ocean and the construction of the Panama Canal. and gave promiseof further power in the field of design, although at present showing a bit toomuch of photographic fidelity to the subject. The Pilgrimage, bySenhor Adriano de Sousa Lopes, Portuguese Commissioner of Fine Arts,received much attention. Holland filled three galleries with paintings and sculpture, and one withetchings, wood cuts, and mezzotints. Here one saw those quiet and familiarDutch scenes, of formal neatness and harmony, that characterize the art ofThe Netherlands; a revelation in the use of homely material for art subjects. The Uruguayan Section occupied a gallery, with works of promise fromsome of her young men who had profited by shrewd governmental patron-age in the form of certain European art scholarships. The gallery was domi-nated by the equestrian portrait of General Galarza, by Pedro Blanes Viale. The Philippine Islands were represented by a gallery of paintings anddrawings, distinguished for the proofs they gave of the recent assimilation ofEuropean CHINESE CLOISONNE, AND SCREEN
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Keywords: ., bookcentury1900, bookdecade1920, bookidstoryofexpos, bookyear1921
