The American annual of photography . u CO H CO PQ> o. MODIFYING DEVELOPERS By H. M. LONG ET it in the negative is the soundest adviceever given the man or woman who uses thecamera as a means of recording the thingsthat please the eye. But it seems that onlythose who are in the advanced class, thecollege students as it were, are alive to the really importantpart development plays. There is the ever present amateur who develops everyexposure with the same developer. Snapshots of known underexposure and time exposures go through the same solution,without regard for what treatment should be acc
The American annual of photography . u CO H CO PQ> o. MODIFYING DEVELOPERS By H. M. LONG ET it in the negative is the soundest adviceever given the man or woman who uses thecamera as a means of recording the thingsthat please the eye. But it seems that onlythose who are in the advanced class, thecollege students as it were, are alive to the really importantpart development plays. There is the ever present amateur who develops everyexposure with the same developer. Snapshots of known underexposure and time exposures go through the same solution,without regard for what treatment should be accorded tosecure the best results. If these amateurs will experimentthey will find a new field opened before them—and they willget better negatives. Every person who develops a negative ought to know some-thing of the construction of the plate o^ film as well as thecomponent parts of the developer and what each chemical isintended to do. Naturally the ideal developer is the one that the operatormixes to suit himself, using usually some tried formula, a
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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyorktennantandw
