Mrs. Ichabod M. Cushman (nee Nancy Blymer) 1787–1830 Henry Williams American In choosing pastel for this portrait, Williams was following John Singleton Copley, who developed great skill in the medium before he left Boston for a career in England in 1774. Whereas Copley preferred a velvety surface of chalks, Williams applied distinct strokes of pastel on a carefully blended layer of pigment. Williams softened the tones of the face by stumping, a technique of smudging strokes using a tight roll of paper or a chamois tied with a string, or even the artist’s finger. He subsequently added several
Mrs. Ichabod M. Cushman (nee Nancy Blymer) 1787–1830 Henry Williams American In choosing pastel for this portrait, Williams was following John Singleton Copley, who developed great skill in the medium before he left Boston for a career in England in 1774. Whereas Copley preferred a velvety surface of chalks, Williams applied distinct strokes of pastel on a carefully blended layer of pigment. Williams softened the tones of the face by stumping, a technique of smudging strokes using a tight roll of paper or a chamois tied with a string, or even the artist’s finger. He subsequently added several parallel, diagonal strokes of pink on Mrs. Cushman’s brow and cheek. Having deftly manipulated the crayon to render the diaphanous fabric of the bodice, Williams also applied strokes of white along the ruffled neckline so that it would contrast with the smoothed surface Mrs. Ichabod M. Cushman (nee Nancy Blymer) 13323
Size: 1683px × 2094px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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