. International Studio an Illustrated Magazine of Fine and Applied Art. m whose brush we have remarked ex-cellent results in other exhibitions. The littlegroup who comprise the membership of this societywould be interesting if their undoubted gifts wereanimated by more genuine impulses. afterwards abandoned in attaining that subtle formof realism to be seen in Old Deceinbets BarenessEverywhere, bought for the Chantrey is painted in his last and best-known manner,and in the National Collection will perhaps repre-sent the fullest development of his powers ; yet it isscarcely likely
. International Studio an Illustrated Magazine of Fine and Applied Art. m whose brush we have remarked ex-cellent results in other exhibitions. The littlegroup who comprise the membership of this societywould be interesting if their undoubted gifts wereanimated by more genuine impulses. afterwards abandoned in attaining that subtle formof realism to be seen in Old Deceinbets BarenessEverywhere, bought for the Chantrey is painted in his last and best-known manner,and in the National Collection will perhaps repre-sent the fullest development of his powers ; yet it isscarcely likely to communicate its secrets to theordinary visitor so readily, for instance, as the morelyrical if less perfect Thorn Tree in Flower. The Memorial Exhibiton of works by the lateJ. Buxton-Knight, at Messrs. Marchants, showedhow varied that painters range was, as regards hismethods, before he arrived at his final style. Inthis respect The Hoppers, Seal Chart (exhibited atthe , in 1888) was amongst the most interestingpictures as disclosing pleasant qualities which he. The chimney piece of which we give an illustra-tion on this page is one among many interestingfeatures in the entrance hall of the new offices ofthe London, Edinburgh and Glasgow AssuranceCompany in Euston Square, carried out after thedesigns of Prof Beresford Pite. For the walls ofthe entrance hall Messrs. Doultons Parian wareof two tints has been employed—a primrose-yellowand a low-toned sage-green, while the generaleffect has been enriched by pleasing variationsarising in the course of firing, jln the fireplaceitself the heraldic devices of the three cities form the chief element in the decoration. The patterns were first painted on the surfaces and then fired on the Parian ware. During March the Goupil Galleryheld an exhibition of Henri le Sidanerspictures of Hampton Court and is very interesting to have M. Henrile Sidaner painting in England. Theinterpretation which his brush, so usedto sunset col
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