International studio . ort. Lind-says work ranges from realistic impres-sions of street scenes, to his fancifulcomposition. The Edge of the World. Hehas five prints in the Sydney Gallery. Anumber of plates have been done bySydney Ure Smith, and a good example ofhis work is his etching of the Sydney Sun Office, which hangs in the officeof the United Cable Service, in the London Times building. W. M. REVIEWS. A Short History of Art. By Julia Forest. Edited, revised and largely re-written by Charles (New York:Dodd, Mead and Co.; London : Batsford.)2IS. net.—At the hands of Mr. Caff
International studio . ort. Lind-says work ranges from realistic impres-sions of street scenes, to his fancifulcomposition. The Edge of the World. Hehas five prints in the Sydney Gallery. Anumber of plates have been done bySydney Ure Smith, and a good example ofhis work is his etching of the Sydney Sun Office, which hangs in the officeof the United Cable Service, in the London Times building. W. M. REVIEWS. A Short History of Art. By Julia Forest. Edited, revised and largely re-written by Charles (New York:Dodd, Mead and Co.; London : Batsford.)2IS. net.—At the hands of Mr. Caffinthis Short History re-appears as sub-stantially a new work. Beginning withthe real primitives—the artists of thestone age—it concludes with a referenceto those followers of Cezanne who attempt to leap back to a condition ofprimitive instinct, ignoring the exampleof their master, who submitted theresults of his instinct to processes ofreasoning with the avowed object ofreconciling his intellectualized sensations. ENTRANCE TO MELBOURNE ETCHING BY VICTOR COBB 39 REVIEWS
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
