Programme . uments. Violins and wood-wind instruments take it up*A subsidiary idea derived rhythmically from the first theme is for theflutes. The chief theme, after quiet measures for strings, is playedby full orchestra. The second and expressive theme, moderato e moltotranquillo, E major, is sung by first violins. The wood-wind instru-ments take it up and solo strings use it in imitation. In the working-out or development section the first subject is worked by muted trum-pets, then trombones. The second theme is then employed. Thereis a long organ-point for strings, after which the chief the
Programme . uments. Violins and wood-wind instruments take it up*A subsidiary idea derived rhythmically from the first theme is for theflutes. The chief theme, after quiet measures for strings, is playedby full orchestra. The second and expressive theme, moderato e moltotranquillo, E major, is sung by first violins. The wood-wind instru-ments take it up and solo strings use it in imitation. In the working-out or development section the first subject is worked by muted trum-pets, then trombones. The second theme is then employed. Thereis a long organ-point for strings, after which the chief theme is developedagain and at length. In the recapitulation section the chief theme isplayed ffhy the whole orchestra. The second theme, molto piu tran-quillo, is now for English horn and violas. This and the second themeare treated contrapuntally and ingeniously. After a great climax,the movement ends prestissimo with final use of the chief motive. II. Scherzo, E major, 6-8. There is a short introduction. The. Tailored Costumes, Coats and Waists DANCING DRESSES A SPECIALTY717 BOYLSTON STREET TELEPHONE. 5818 1158 chief theme begins, allegro ma rion troppo, in the wood-wind. Stringscontinue it. There is a subsidiary theme for solo violin. The chieftheme is developed at length, and the subsidiary, capricious themeappears in another form. The second subject, tranquillo, C major,2-4, is given to violoncellos and violas. There is a return to the orginaltempo, and both subjects are worked out. In the recapitulation sec-tion the first theme is repeated by full orchestra and the second followson its heels. The mood grows quieter. The Coda, quasi presto, is inthe spirit of the Scherzo with rise of preceding material. A prestoends the movement with development of the first theme. III. Andante cantabile, A-flat major, 3-4. This movement, likethe preceding ones, is in sonata form. The first subject is sung by thefirst violins. There is a reminiscence of the second motive of the fi
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
