. Art in France. e, La Porte d Notrt-Dame-de-Paris (Mem. de la Soc. de IHisloire de Paris. I902\ Margaret and Ernest Marriage,The Sculptures of Chartres Cathedral, Cambridge, 1909. R. Korchlin, La Scult^lurebeige el les Inlluences franqaises aux XIII et XIT siecles iC. B. A., 1903, ID.—A. Marignan, Histoire de la Sculpture en Languedoc aux XII el XIIIsiecles. Paris. 1902.— {Photo. Neiirdcin.) 82 COMMUNAL OR GOTHIC ART R. Koechlin, Quelgues Ateliers diooiriers fran(;ais aux Xllt, XIV siicles (G. B. A.,).—Louise Pillion, Les Poriails lateraux de la Cathedrale de Rouen, Paris, 1

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. Art in France. e, La Porte d Notrt-Dame-de-Paris (Mem. de la Soc. de IHisloire de Paris. I902\ Margaret and Ernest Marriage,The Sculptures of Chartres Cathedral, Cambridge, 1909. R. Korchlin, La Scult^lurebeige el les Inlluences franqaises aux XIII et XIT siecles iC. B. A., 1903, ID.—A. Marignan, Histoire de la Sculpture en Languedoc aux XII el XIIIsiecles. Paris. 1902.— {Photo. Neiirdcin.) 82 COMMUNAL OR GOTHIC ART R. Koechlin, Quelgues Ateliers diooiriers fran(;ais aux Xllt, XIV siicles (G. B. A.,).—Louise Pillion, Les Poriails lateraux de la Cathedrale de Rouen, Paris, 1907.—A. Schmarsow, Das Eindringen der franzosischen Plastik in die deutsche Sculptur {Reperto-rium fiir Kunslwissenschaft, 1898).—For Painting: the works quoted on Romanesque Art.—F. de Lasteyrie, Histoire de la Peinlure sur oerre, 2 vols., 1857.—Magne, LCEuvre des Peinlresverriers frangais, Paris, 1885.— Merson, Les Vitraux, Paris, 1895.—H. Oidtmann,Die Glasmalerei, 2 vols., Cologne, F; If)5.—CATHEDRAL OF , OF A PILLAR, SOUTH SIDE OF THE NAVE. {Photo. Neiirdein.) 83

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