. Rembrandt : his life, his work, and his time. , ^^v.^li^ 4~)M. ^T-lii-j,^. ^^yir^^m^V- A KOAD TlIl^OUGH A WOOD. Pen drawing (Duke of Devonshire). There are, however, documents which dispose of this had already a considerable vogue as a portrait-painter when,on the occasion of a visit to Antwerp, he was fascinated by theworks of Rubens and Van Dyck. He forthwith abandoned hisearly manner in favour of a lighter and gayer system of colouring,a looser and more fluent touch, and a meretricious grace and elegancethat delighted his wealthy patrons. A male portrait in the Bruss
. Rembrandt : his life, his work, and his time. , ^^v.^li^ 4~)M. ^T-lii-j,^. ^^yir^^m^V- A KOAD TlIl^OUGH A WOOD. Pen drawing (Duke of Devonshire). There are, however, documents which dispose of this had already a considerable vogue as a portrait-painter when,on the occasion of a visit to Antwerp, he was fascinated by theworks of Rubens and Van Dyck. He forthwith abandoned hisearly manner in favour of a lighter and gayer system of colouring,a looser and more fluent touch, and a meretricious grace and elegancethat delighted his wealthy patrons. A male portrait in the BrusselsMuseum (No. 2>33 i^ the Catalogue) seems to have been paintedin the period of transition from his early to his later manner. Wenote a premonitory jarring of the harmonies, purplish tones side byside with somewhat crude vermilions. The drawing is less firm,
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Keywords: ., bookcentury1900, bookdecade1900, bookpublishernewyo, bookyear1903
