. British painters; with eighty examples of their work engraved on wood. ( ~iOKK PC. ,; BRARY AST-,.-. LtHOX ANB TUJBXM iOUMDXTIUNS. 3IS!, 3!i}::? H 0 L L. i6i path. The pomp and circumstance of Interment find no place amid suchan assembly as is gathered here, dressed in habiliments of mourning whichshow more the scantiness of the purse than the depth of grief felt by thosewho wear them. And perhaps it is owing to the absence of so much of theoutward and visible manifestation of sorrow that one feels the solemnity ofthe composition, which is worked out with impressive pathos, and shows muchart
. British painters; with eighty examples of their work engraved on wood. ( ~iOKK PC. ,; BRARY AST-,.-. LtHOX ANB TUJBXM iOUMDXTIUNS. 3IS!, 3!i}::? H 0 L L. i6i path. The pomp and circumstance of Interment find no place amid suchan assembly as is gathered here, dressed in habiliments of mourning whichshow more the scantiness of the purse than the depth of grief felt by thosewho wear them. And perhaps it is owing to the absence of so much of theoutward and visible manifestation of sorrow that one feels the solemnity ofthe composition, which is worked out with impressive pathos, and shows muchartistic excellence in treatment and manner. With this very touchingpicture was exhibited another, but of a different character, simply A Milk-maid. Leaving Home, Mr. Holls solitary contribution to the Academy in1873, represents part of a railway station, where two or three persons areseated, waiting the arrival of a train to carry them away. Though thesubject is not novel, this version of the incident reveals many commendablequalities of painting. To Mr. Walliss gallery in Pall Mall he sent, inthe winter of the same year, Wantâ
Size: 1316px × 1899px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, booksubjectpainter, bookyear1881
