. International studio. the subject offemale self-admiration. Richard Nitsch is thepainstaking renderer of the picturesqueness of , 2 SHesan Peasant IVoinan, and his patient art doesnot neglect human features. Hamacher mirrorspowerfully and delicately the mariners and theirelement, and KleinChevalier and Muller-Munstersuccessfully carry out kindred subjects. OttoSeeck has finely observed the play of light in aworkshop of busy tailors. H. Looschen andAnderley Moller secure attention by charmingstill life works. The rooms of the three Munich groups,KUnstler G^nossenschaft, Luitpold Gruppe,
. International studio. the subject offemale self-admiration. Richard Nitsch is thepainstaking renderer of the picturesqueness of , 2 SHesan Peasant IVoinan, and his patient art doesnot neglect human features. Hamacher mirrorspowerfully and delicately the mariners and theirelement, and KleinChevalier and Muller-Munstersuccessfully carry out kindred subjects. OttoSeeck has finely observed the play of light in aworkshop of busy tailors. H. Looschen andAnderley Moller secure attention by charmingstill life works. The rooms of the three Munich groups,KUnstler G^nossenschaft, Luitpold Gruppe, andKiinstlerbund Baiern, look so similar that differ-ences of tendency are quite effaced. If we namethe portraits of Raffael and Georg Schuster-Woldan,Wirnhier and Papperitz, landscapes by vonPetersen, Kaiser, Sieck, Marrs effective LuxTenebris^ Grassels ducks and Herrmann-Allgausnuts—we have almost exhausted the list of meri-torious works. Vienna occupies us somewhatlonger. Egger-Lienzs large Death-dance of 1809, w. (Grosse BerltnetKunst-Attsstelhtitg) SILESIAN PEASANT WOMAN IN SUNDAYATTIRE. BY RICHARD NITSCH *i studio- Talk
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
