International studio . A COIXTRY HOISE AT HEWLITT, I. ALBRO & LIXDEBERG, ARCHITECTS house which, alone, would establish their placeamong domestic architects. Charles A. Piatt,who was awarded this years prize, showed photo-graphs of a large country house recently finished—a house in the Italian-villa style. Delano & .\ldrich, Grosvenor .Atterbury andAymar Embury II, L. Vischer Boyd and HarryAllan Jacobs showed drawings and renderings,Mr. Atterburj also exhibiting an interesting de-sign for a lamp post at Forest Hills Gardens—anew real-estate development, where the coopera-tion of WilsonEyre
International studio . A COIXTRY HOISE AT HEWLITT, I. ALBRO & LIXDEBERG, ARCHITECTS house which, alone, would establish their placeamong domestic architects. Charles A. Piatt,who was awarded this years prize, showed photo-graphs of a large country house recently finished—a house in the Italian-villa style. Delano & .\ldrich, Grosvenor .Atterbury andAymar Embury II, L. Vischer Boyd and HarryAllan Jacobs showed drawings and renderings,Mr. Atterburj also exhibiting an interesting de-sign for a lamp post at Forest Hills Gardens—anew real-estate development, where the coopera-tion of WilsonEyre, GrosvenorAtterbury andAlbro & Linde-berg promises toculminate in someamazing archi-tectural results. A. Joseph Bod-ker showed a con-ser\ative feelingin city architec-ture in his render-ings of the Chese-borough andThome houses,and Arnold rivaleda Whistler noc-turne in his ren-dering of a pro- ^ ^^^^^^ ^^posed bridge for mt. kisco, n. Toledo, Ohio. Dominating the entire east end ofthe Vanderbilt Gallery hung the great mural deco-ration for the dining room of Castle Gould—TheLegend oj the Sargasso Sea, by W. A. weird in drawing but delightfully mellowin color, it shows the lost thousands of ships of allages and nations which are supposed to be im-prisoned in the seaweed choked waters of theSargasso Sea. The exhibition itself, however, does not partakeof the nature of a Sargasso Sea, for the exhibitsare neither anti-quated nor sta-tionary, but oftendencies whichshow the continu-al enlargement ofour architecturalhorizon. Perhapsthe general im-pression is of rest-lessness, which isnot surprising inan exhibition ofthis sort—a whole-some sign of prog-ress, one of thenatural phases ofan evolution inwhich architec-ture seeks to as-similate the allied ROLLIN SALTUS LANDSCAPE ARCHITECT artS. Eugene Speicher E UGENE SPEICHER—A NEW AR-RIVALBY FORBES WATSON The awarding of the Thomas ])rize for the
Size: 1681px × 1485px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
