Programme . swerthe purpose of a refrain; but these rules are by no means strictly ad-hered to. There are many forms of the melody, a marked featurebeing that two triplets of semiquavers, or one such triplet and twosemiquavers, are often written against the figure which occupies onewhole bar in the bass of the above example. (This example is givenin notation.) The performers opposite to each other, one of eithersex, generally dance to the introduction, and accompany their singingof several copias (stanzas) with gestures, and the whole of the musicis repeated for the final dance, which is slow
Programme . swerthe purpose of a refrain; but these rules are by no means strictly ad-hered to. There are many forms of the melody, a marked featurebeing that two triplets of semiquavers, or one such triplet and twosemiquavers, are often written against the figure which occupies onewhole bar in the bass of the above example. (This example is givenin notation.) The performers opposite to each other, one of eithersex, generally dance to the introduction, and accompany their singingof several copias (stanzas) with gestures, and the whole of the musicis repeated for the final dance, which is slow and stately, and of a de-cidedly Oriental character, the feet being scarcely lifted from theground (though an occasional pirouette is sometimes introduced),while the most voluptuous movements of the arms, hips, head and eyesare employed to lure and fascinate each other—and the dance, if well done, can be extremely graceful. . Neither the academic Desrat in his Dictionnaire de la Danse nor. Quality, Style, Fit, and Superb Tailoring arefelt as well as seen in Macullar Parker Dress Suits. Made on the premises — forimmediate wear. $40 and $50400 WASHINGTON STREET Ear© OH Violins VIOLAS and CELLOS of exquisite toneand splendid condition ITALIAN VIOLIN STRINGS IANS SUPPLY 218 Tremont Street and 60Lagrange Street, Boston, Mass. Telephone. Oxford 4380 990 Hmt# is first conceived in the mind of the artist,who is aided in its expression by the per-fection of the instrument he uses. Henry F. Miller was a musician of maturedjudgment when in 1863 he began to make pianos;he built the kind of pianos upon which he himselfliked to play, and HIS standard of TONE QUALITYis expressed in the instruments which bear his name. Many artists and critics prefer the Henry Tone to all others; to know it is to likeit, and those love it most who know it best,because it wears the , better than ever,it confidently invites yourcritical judgment. Lyric Grand$75
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
