. The life and Epistles of St. Paul. (t>fi(Oy ^XfTt- ovarjs, olpoi, t^s 6eoij. Achilles Tat. viii. sub initio. ^ Ev 6e OXvpnia irapaTitTaapa ipfovv KfKoafjLTj-fifvov v<pd(Tfiacriv Aa-(Tvpiois Km ^a<j)fj Trop^vpnr Trjs^otviKavavcdrjKev\vTio)^os. . Tovto ovk (s tolivwTO TTapaTTfTaapa Trpos tov opo(pov, oioiTfp ye eV \\pTe-)itSosT^sE(j)e(TLas,dpf\KOviTi,Ka\os. Pausan. Ehac. v. 12, 2. • Mutianus, ter consul, es his qui proximo,vivo eo, scripsere, vitiginemn [tradit], et mm-quam mutatiim, septies restituto templo. H. xvi. 79. ™ Yitruv. ii. 9, 13. * De ipso simulacro Dens ambigittir
. The life and Epistles of St. Paul. (t>fi(Oy ^XfTt- ovarjs, olpoi, t^s 6eoij. Achilles Tat. viii. sub initio. ^ Ev 6e OXvpnia irapaTitTaapa ipfovv KfKoafjLTj-fifvov v<pd(Tfiacriv Aa-(Tvpiois Km ^a<j)fj Trop^vpnr Trjs^otviKavavcdrjKev\vTio)^os. . Tovto ovk (s tolivwTO TTapaTTfTaapa Trpos tov opo(pov, oioiTfp ye eV \\pTe-)itSosT^sE(j)e(TLas,dpf\KOviTi,Ka\os. Pausan. Ehac. v. 12, 2. • Mutianus, ter consul, es his qui proximo,vivo eo, scripsere, vitiginemn [tradit], et mm-quam mutatiim, septies restituto templo. H. xvi. 79. ™ Yitruv. ii. 9, 13. * De ipso simulacro Dens ambigittir. Carter!ex elieno esse tradunt. Mutianus, &c., ut N. H. svi. 79. 326 [ 54] DESCniPTION OF EPHESUS. [Chap. XIII. the work of Panclemion,^ but the air of antiquity about it carries us back to a periodlong anterior to the records of written history. Whence it came or by whom itwas shaped is a mystery, but the common belief is that it fell from heaven.*-. Fig. 157.—Coin of Claudius. From Akei-man. Obc. Portraits of Clauiana of the Ephesians). At the back of the vab^ is an apartment which we may not enter; it is the repositorywhere nations and potentates have stored their most valuable treasures, for such isthe sanctity of the temple that no safer bank can be found in Asia, or even in theworld. Let us next ascend to the roof of the temple.*^ The staircase is said to have beenconstructed from the wood of a single vine from Cyprus.** A gigantic tree to haveyielded all this material! We arrive at the top, and look down upon the scene beneath us, before the portico of the temple, our attention is drawn to acrowd of people listen
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