A new history of painting in Italy : from the II to the XVI century . in the guise of Peter Martyr. But the gain in skill which hethen exhibited is compensated by loss of nature and resemblance. 1 MARCHESE, ubi sup., vol. i., p. 392. 2 The age of Savonarola in Bact ios portrait is less than in the terra-cotta of 1496. 3 VASAEI, vol. vii., p. 153, and Annot. ibid. Signor Rubieri lives at Florence.[Now in San Marco, Florence, Cell xiii.] 4 The inscription has lately been recovered from under superposed 11 Ritratto di Fra Girolamo (Florence, 1855), pamphlet of fifteen pages, byE. RUB
A new history of painting in Italy : from the II to the XVI century . in the guise of Peter Martyr. But the gain in skill which hethen exhibited is compensated by loss of nature and resemblance. 1 MARCHESE, ubi sup., vol. i., p. 392. 2 The age of Savonarola in Bact ios portrait is less than in the terra-cotta of 1496. 3 VASAEI, vol. vii., p. 153, and Annot. ibid. Signor Rubieri lives at Florence.[Now in San Marco, Florence, Cell xiii.] 4 The inscription has lately been recovered from under superposed 11 Ritratto di Fra Girolamo (Florence, 1855), pamphlet of fifteen pages, byE. RUBIERI, p. 9. The genuine portrait by Giovanni delle Corniole at the Uffizi,done after Savonarolas death, is inscribed: HIERONYMUS FERRARIENSIS ORD. FRED. PROPHETA VIR(GO) ET MARTYR. 6 Now [No. 172] in the Academy of Florence (round, wood, oil), originally inPian di Mugnone. The flesh in parts is a little dirty, but there is a marvellousdelicacy in it. The drawing is grandiose, the forms given with extraordinaryskill. The handling in oil recalls Sebastian del W HW en o Id s so- ;K
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License: Licensed
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondondent, bookyea
