. Edward Hodges, doctor in music of Sydney Sussex College, Cambridge; organist ... Bristol, England, 1819-1838; organist and director in Trinity Parish, New York, 1839-1859;. or Studying Music. 9. The New and the The Old and the New. 11. City Hall Bell. 12. Choral Service. 13. Anglican Chaunt. 182 Edward Hodges 14. Music and Morality. 15. Plagal Cadence. 16. Keynote. !;■ Ancient Choirs. 18 Modern Choirs. 19. Clerical Management of Music. 20. Choir Places. 21. Drums. 22. Teeth. 23- Taste. 24. Musical Legislation. 25. Oratorios. 26. Music Committees. 27- How to hear Music. 28 Execution a


. Edward Hodges, doctor in music of Sydney Sussex College, Cambridge; organist ... Bristol, England, 1819-1838; organist and director in Trinity Parish, New York, 1839-1859;. or Studying Music. 9. The New and the The Old and the New. 11. City Hall Bell. 12. Choral Service. 13. Anglican Chaunt. 182 Edward Hodges 14. Music and Morality. 15. Plagal Cadence. 16. Keynote. !;■ Ancient Choirs. 18 Modern Choirs. 19. Clerical Management of Music. 20. Choir Places. 21. Drums. 22. Teeth. 23- Taste. 24. Musical Legislation. 25. Oratorios. 26. Music Committees. 27- How to hear Music. 28 Execution and Expression. 29 . Clefs or Cliffs. 30. Plain Singing and Plain Song. 31- English Cathedrals. 32. Dr. Tuckermans Lecture. . Dr. Guilmette 33 . Church Organs. Ordinary Church Organ. 34 . Glance at Musical Grammar. 35 . A Parable. 36 . The Mouse and the Deacon. 37 . Art Encouragement. 38 . How to shorten Divine Service. (All published in the Musical World.) In the lillle booky 1 find the following Auto-graph, which may be of interest to those whocherish the memory of the musical clergyman, aswell as of his beloved friend the clerical organist. ■>■>■>. BRISTOL CATHEDRAL. c f c < f c cC ( r f rf r c f r f V Musical Life in New York i8^ J * Suggestions for the Pen of H. in the Musical World. 1. Difference between musical sentiment and devotional feeling. 2. Comparison of the advantages and disadvantages of singing Chorales in Unison or in Harmony. 3. Wherein exists the peculiarity of Cathedral Music. 4. The little which English Cathedrals have done forCathedral Music. 5. Desirableness of clerical skill in Music. 6. Departed clerical composers and clerical organists. 7. The superiority of Handel in the Majesty, andBeauty, and Independence of Accompaniment. 8. Charles and Sam. Wesley as Extempore Organists,with Hints on Extempore Organ-playing. Received from good Mr. Havergal, July 2, 1857, ^^^ ^letter, dated Worcester, June, 1857. My Father had a very happy and o


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