. Bulletin. Ethnology. densmore] CHIPPEWA MUSIC No. 22. Seventh Song 61 (Catalogue no. 128) Voice J= 60 Drum J =132 ( Drum-rhythm similar to No. 1) WORDS Wewe^ni Diligently Bizin^dau Listen thou Kaiya^gigidoMjig To those who speak H. No. 23. Eighth Song Song PICTURE NO. 22. Pie who speaks and he who listens are shown. (Catalogue no. 129) Voice ^^60 Drum J =1,32 ( Drum-rhythm similar to No. 1 ) W- m WORDS Ge^ga Almost Bizinda^gonan^ He will listen to us Manido^ Manido'' Song picture no. 23. This outline is frequently used to repre- sent a manido'. , . _,, . (Compare draw- Analysis.— ihis song c
. Bulletin. Ethnology. densmore] CHIPPEWA MUSIC No. 22. Seventh Song 61 (Catalogue no. 128) Voice J= 60 Drum J =132 ( Drum-rhythm similar to No. 1) WORDS Wewe^ni Diligently Bizin^dau Listen thou Kaiya^gigidoMjig To those who speak H. No. 23. Eighth Song Song PICTURE NO. 22. Pie who speaks and he who listens are shown. (Catalogue no. 129) Voice ^^60 Drum J =1,32 ( Drum-rhythm similar to No. 1 ) W- m WORDS Ge^ga Almost Bizinda^gonan^ He will listen to us Manido^ Manido'' Song picture no. 23. This outline is frequently used to repre- sent a manido'. , . _,, . (Compare draw- Analysis.— ihis song comprises tlie compass of an ings of songs nos. octavc, extending from the dominant above to the dominant below the tonic. The melody is based on the tonic triad with the sixth added, and, as frequently occurs in these songs, the entrance of the tonic is delayed. More of the recorded Chippewa songs begin on the twelfth or fifth than on any other tone and the first interval of descent is frequently a minor third. This is repeated several times and is followed by the descent of a major third, which completes the major triad and introduces the Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
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