Antonio Allegri da Correggio, his life, his friends, and his time . I di San Paolo i CHAPTER VII A PAINFUL INTERLUDE TRAXSITION PERIOD—THL -REPOSE IN EGYPT IX THE UFFIZI — LA —THE madonna with THE TWO CHILDREN IN THE PRADO AT MADRID—THEholy FAMILY WITH ST. JAMES AT HAMPTON COURT—THE MADONNA OF CASALMAGGIORe—LOST PICTURES—THE HERODIAS THE TRIPTYCH OF THE redeemer—CORREGGIOS SUPPOSED JOURNEYS TO CARPI AND NOVELLARA—THEALBINEA PICTURE AND THE YOUNG MAN FLEEING FROM THE CAPTORS OF IN the life of every man thereis a transition period, aterrible interliulc of depres-sion and unr
Antonio Allegri da Correggio, his life, his friends, and his time . I di San Paolo i CHAPTER VII A PAINFUL INTERLUDE TRAXSITION PERIOD—THL -REPOSE IN EGYPT IX THE UFFIZI — LA —THE madonna with THE TWO CHILDREN IN THE PRADO AT MADRID—THEholy FAMILY WITH ST. JAMES AT HAMPTON COURT—THE MADONNA OF CASALMAGGIORe—LOST PICTURES—THE HERODIAS THE TRIPTYCH OF THE redeemer—CORREGGIOS SUPPOSED JOURNEYS TO CARPI AND NOVELLARA—THEALBINEA PICTURE AND THE YOUNG MAN FLEEING FROM THE CAPTORS OF IN the life of every man thereis a transition period, aterrible interliulc of depres-sion and unrest from which thereis no escape. He eaters uponit when he ceases to be a boy,but is as yet hardly a man. Anill-defined craving for happinesskeeps him in a state of perpetualtension. The blood seems torush, hot and tumultuous, throughhis veins. In strange contrastto the still childish cast of histhoughts in general, visions of PICTURES PAINTEI) IN 1515 — 1518 113 art and poetry dawn within his soul. He begins to love the solitudeof the country and of the sea ; in the floating clouds above him hediscerns figures of monstrous beasts, or rivers and snow-clad moun-tains. The world spreads out her beauties and pleasures before him ;but he is sad, tormented by an inexplicable melancholy, an unreason-able resentment. Now this strange phase of transition in the physicaland moral being frequently has its spiritual counterpart in the aestheticdevelopment of a great artist. It corresponds to that p
Size: 1399px × 1786px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorriccicor, bookcentury1800, bookdecade1890, bookyear1896
