The New England magazine . Frederick G. Bourne, Director the quality and at-tainments of itsmembers, will in thenot far distant fu-ture become equallydistinguished for itsgreat work as anorganization. The effect of thisaddress and hisearnest desire thatthe society shouldlive nearer to itspurposes and possi-bilities resulted atthe last annualmeeting in the elec-tion of Austin , Morris , J. PierpontMorgan, ThomasH. Hubbard, andCharles C. Burkeas a committee toconsider plans andraise funds by vol-untary subscrip-tions for building ahome suitable to the societys needs. Themake-up
The New England magazine . Frederick G. Bourne, Director the quality and at-tainments of itsmembers, will in thenot far distant fu-ture become equallydistinguished for itsgreat work as anorganization. The effect of thisaddress and hisearnest desire thatthe society shouldlive nearer to itspurposes and possi-bilities resulted atthe last annualmeeting in the elec-tion of Austin , Morris , J. PierpontMorgan, ThomasH. Hubbard, andCharles C. Burkeas a committee toconsider plans andraise funds by vol-untary subscrip-tions for building ahome suitable to the societys needs. Themake-up of this committee is proof that thework done will be worthy of the dignity ofthe society and the constituency it represents. ALONG EARTHS PATHWAY By CHARLOTTE W. THURSTON Along earths level pathway, daily trod,I touch my Love, and see the face of God!If thus I see Him not, what hope for meTo see Gods face through all eternity? THE NEW MUSEUM OF FINE ARTS By FREDERICK W. COBURN. E of New England owe a debtof gratitude to those whoselabor and pains have made pos-sible the new Museum of FineArts, now erecting in the Fen-way district of the city of Boston. It would,indeed, be difficult to name the individualsto whom the man in the street will be in-debted some months hence for opportuni-ties, heretofore non-existent, to enjoy veryimportant collections of art in a setting de-signed to reveal their finest qualities. Thelist of our benefactors began, of course,to be formed more than thirty years ago,when well-to-do citizens through loans orbequests first put their treasures at the dis-posal of the institution in Copley Square,then newly incorporated to make, main-tain, and exhibit collections of works ofart and to afford instruction in the FineArts. Since then it has grown year by , in fact, of the munificence of aconstantly enlarging group of public-spiritedmen and women, the collections of the Mu-seum have multiplied until the building theynow occupy
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