International studio . oy, and countlessother successful artists, is sufficient proof of thenecessity to patronize art to-day, not forgetfulof past history which has ever shown that nogreat art has without broad-minded andliberal patrons. The few selected cuts are e\i-dence of how narrow a margin separates theartist and the student. The illustration showinga bleak December night with the belated youthdesperately regarding the last departing cab, iswell conceived and full of humour. The portraitof the Indian maid has been so han-dled that the judges passed it by in the fir
International studio . oy, and countlessother successful artists, is sufficient proof of thenecessity to patronize art to-day, not forgetfulof past history which has ever shown that nogreat art has without broad-minded andliberal patrons. The few selected cuts are e\i-dence of how narrow a margin separates theartist and the student. The illustration showinga bleak December night with the belated youthdesperately regarding the last departing cab, iswell conceived and full of humour. The portraitof the Indian maid has been so han-dled that the judges passed it by in the firmbelief that it was drawn from a photograph. Asan example of fine draughtsmanship it certainlyshould have received a prize. It would be im-possible to do more than carry away an impres-sion when confronted with 650 exhibits, and theimpression is one of the sincerity and artisticsanity of a very large percentage of the work onview, and the opportunity the students enjoy ofmaking their first bow to the public. W. H. N. r. i
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
