. A short history of art . long-ing after it, combined with popular comprehensibility and at-tractive grace of form. Painters sought to produce illusion,to exhibit moverpent and space as they actually existed, andnot to represent any higher or more ideal arrangement. Thedelineation of single figures became more popular thanlarger narrative pictures, and the expression of mental emo-tion was highly appreciated. The two great Italian schoolsof painting during this period were named from the prin-ciples they adopted, and not from the places where theyoriginated. These two schools were the Eclecti
. A short history of art . long-ing after it, combined with popular comprehensibility and at-tractive grace of form. Painters sought to produce illusion,to exhibit moverpent and space as they actually existed, andnot to represent any higher or more ideal arrangement. Thedelineation of single figures became more popular thanlarger narrative pictures, and the expression of mental emo-tion was highly appreciated. The two great Italian schoolsof painting during this period were named from the prin-ciples they adopted, and not from the places where theyoriginated. These two schools were the Eclectic and Naturalistic. The Eclectics sought to create a stylewhich should combine the excellences of all the great artistsof preceding times. The Naturalists sought to bring every-thing down to the level of ordinary existence, and to repre-sent it as it was, and not as it might be. Lodovico Caracci (1555-1619) Bologna was the head center of the Eclectic school, andLodovico Caracci may be looked upon as its founder. Lodo- 314. COEKEGGIO LA NOTTE Notable example of Chiaroscuro.
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
