Harmony, its theory and practice . Second, when the second of the two chords is a second inversion,(§ 172.), the bass note being either the tonic or dominant ofthe key,— Ex. .and third, when the sJpond^ofS is another position of the first. In other cases they are not allowed. Let the student examine Chap. III.] The General Laws op Part-Writing. 29 the three bad examples of hidden octaves here given,

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903