A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . IV.] ALLEGRETTO NUZI 181 church of Cancello is but little inferior to the foregoing, being aproduction of Allegrettos best time.^ In a chapel dedicated to St. Nicholas at Tolentino there are and St. Catherine and St. Anthony. This picture also is now in the sacristy of thecathedral at Fabriano. It was shown at the exhibition at Macerata (Sala I., No,9), and also at the Mostra dAntica Arte Umbra (Sala II., 8). * ^ In the year 1905, I saw in the shop of a Roman dealer a panel representinga male
A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century . IV.] ALLEGRETTO NUZI 181 church of Cancello is but little inferior to the foregoing, being aproduction of Allegrettos best time.^ In a chapel dedicated to St. Nicholas at Tolentino there are and St. Catherine and St. Anthony. This picture also is now in the sacristy of thecathedral at Fabriano. It was shown at the exhibition at Macerata (Sala I., No,9), and also at the Mostra dAntica Arte Umbra (Sala II., 8). * ^ In the year 1905, I saw in the shop of a Roman dealer a panel representinga male saint, a bishop, which, though it bore no name and its provenance isunknown, may be attributed without doubt to Allegretto Nuzi. The saint is halflife-size, and is represented seated on a stone throne, which is adorned with has a grey beard, and is vested in a red chasuble. His right hand is raised inblessing ; in his left he holds a book. Below kneels a small figure of a Dominicansister. The picture is on a gold ground, and is in a fair state of preservation. In my note-book of the same
Size: 1262px × 1981px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., book, bookcentury1900, bookdecade1900, booksubjectpaintingitalian
