. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . for this picture, much defacedand drawn over, but still of rare interest and value, is preserved in theAccademia delle Bella Arte at Florence, and is of the same size as the painting.—Julia Cartwright: Chrisi and His Mother in Italian Art, 1897, p. 148. On a panel two inches thick, 23 in. x 17 in. ( x ). Painted by Raphael in 1505. Purchased by George Nassau, third I-arl Cowper, when British Ministerin Morence, about 1780. W
. A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) . for this picture, much defacedand drawn over, but still of rare interest and value, is preserved in theAccademia delle Bella Arte at Florence, and is of the same size as the painting.—Julia Cartwright: Chrisi and His Mother in Italian Art, 1897, p. 148. On a panel two inches thick, 23 in. x 17 in. ( x ). Painted by Raphael in 1505. Purchased by George Nassau, third I-arl Cowper, when British Ministerin Morence, about 1780. Waagcn: Treasures of Art in Great Britain, 1854, iii. 9. Passavant:Raphael of Urbino, 1872, p. 208. Crowe and Cavalcaselle : Life and Worksof Raphael, 1882, i. p. 250. Julia Cartwright : The Early Work ofRaphael, in Portfolio Monograph, xiii., 1895, pp. 52-53. M. W. Burger:Tr/sors dArt exposes a Manchester, p. 56. B. Berenson : Central Italian Paintersof the Renaissance, 1909, p. 234. Exhibited at the Manchester Art Treasures Exhibition, 1857, No. 136;also at Burlington House, Old Masters, 1881, No. 148. Lent by the Countess Cowper (from Panshanger). 108. 71CARLO GRIVELLI: 1430(?)-1493(?) Venetian SchoolVIRGIN AND CHILD SMALL full-length figure of the Virgin, in a rich gold-brocadedress, enthroned, holding the Child, who stands on her lap ;on the marble step of the throne are two pears and a fly. Goldbackground. Full of charm. . The Virgins facing to the left and the Childseager movement to the right indicate that this panel must have formed origin-ally the middle of a polyptych with Saints on either side.—B. Berenson onVenetian Painting at the heiv Gallery, 1895, p. 12. Ce panneau, qui paralt avoir fait partie dun ce triptique, tire son charmeprincipal de sa simplicite. Cest une des premieres oeuvres de Crivclli,ant^rieure a Tcpoque oil il adopta le style, mani6r6 et la surabondancc desd6tails qui gdtent les oeuvres quil executa ensuite a Ascoli et dans les Marches.—Lione
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