. Orchestration . -mmrnm^ Oboe. the beautiful Oboe and Clarinet unison at the beginning of the Un-finished Symphony: 1 Tutti on the last quaver of this example. In the original Full Score the Clarinet part is written on a separate stave for Clarinet in A in the key of D minor. (Example 128, p. 211.) THE OBOE 211 EXAMPLE 128. Allegro Moderate Schubert. Unfinished Symphony. Oboe unison] Violins I & II. and the extended passage for Solo Wood-Wind instruments in theAndante con Moto of the same Symphony. A sketch of this exampleis given below with the accompaniment omitted. The stude
. Orchestration . -mmrnm^ Oboe. the beautiful Oboe and Clarinet unison at the beginning of the Un-finished Symphony: 1 Tutti on the last quaver of this example. In the original Full Score the Clarinet part is written on a separate stave for Clarinet in A in the key of D minor. (Example 128, p. 211.) THE OBOE 211 EXAMPLE 128. Allegro Moderate Schubert. Unfinished Symphony. Oboe unison] Violins I & II. and the extended passage for Solo Wood-Wind instruments in theAndante con Moto of the same Symphony. A sketch of this exampleis given below with the accompaniment omitted. The student shouldlook at it from the point of view of the horizontal arrangement of themelody on the three instruments employed. The quotation is fromthe return of the 2nd Subject. Oboe. Oboe. Clarinet in A. [sounding a minor third lower] Oboe. Clarinet. EXAMPLE con Moto. Schubert. Unfinished Symphony.
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