Introduction to playing from score . X-t: I 1 IW -^ ^-T-^- ~ ÜHPi -#-4-#- ?^r i-r • :^±»=EM^?=^: it:i:. The passage may in the first place be played simplyas it stands, in C major, in order to serve the primarypurpose already mentioned^ then it may be made furtheruseful in initiating the novice in this department into thesystem of transposing notation. According to the directionthe passage is written for three horns in the pitch of Eflat, that is to say for instruments which possess the Na-tural scale common to all (natural) horns and havingthe intervals 12 THE EXA CT REPR OD UCTI

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Introduction to playing from score . X-t: I 1 IW -^ ^-T-^- ~ ÜHPi -#-4-#- ?^r i-r • :^±»=EM^?=^: it:i:. The passage may in the first place be played simplyas it stands, in C major, in order to serve the primarypurpose already mentioned^ then it may be made furtheruseful in initiating the novice in this department into thesystem of transposing notation. According to the directionthe passage is written for three horns in the pitch of Eflat, that is to say for instruments which possess the Na-tural scale common to all (natural) horns and havingthe intervals 12 THE EXA CT REPR OD UCTION ON THE PIANO OF COMPOSITIONS. i •I -f^ 8va = ^ 4 5 678 :^(i)-=e= (^W 1^^ t]^ ::?: 10 13 (* The tone I is of no practical use) not with C, but with E flat as starting note. It is to beobserved, however, that the C of the notation representsthe next lower E flat. Only when, in rare instances, thebassclef is employed for the lowest notes, the tones soundhigher. The actual pitch, therefore, of the whole seriesmarked in Ex. 4, is as follows: 4 a. z^fc te: -^21 2345 7 8 10 =f=^^^^?^=^ 16 It is customary to recomintroductiontopl00riem

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Keywords: ., bookauthorriemannh, bookcentury1900, bookdecade1900, bookyear1904