Architect and engineer . Photo by SturtevanI ALUMINUM SPANORKL t)VER l>Ot)RS, FOUR FIFTY SUTTER, SAX FRANCISCO J. R. MillcL- iiiul r. L. Iflueger, Architects solid area at the end bay to still further en- motion of the sun, a matter in fact for thehance the strength seemingly demanded at attention of psychologists or Mr. Ripley,all corners. This mental illusion seems Another space-saving wall-thinning de-something of a mystery, perhaps analogous vice is worked out in the external veneer orto other illusions of ignorance, such as the finish. With steel columns concreted to their April, 1930
Architect and engineer . Photo by SturtevanI ALUMINUM SPANORKL t)VER l>Ot)RS, FOUR FIFTY SUTTER, SAX FRANCISCO J. R. MillcL- iiiul r. L. Iflueger, Architects solid area at the end bay to still further en- motion of the sun, a matter in fact for thehance the strength seemingly demanded at attention of psychologists or Mr. Ripley,all corners. This mental illusion seems Another space-saving wall-thinning de-something of a mystery, perhaps analogous vice is worked out in the external veneer orto other illusions of ignorance, such as the finish. With steel columns concreted to their April, 1930 AUCHITLCT AND LNGINEER. _^ 47. DETAIL FROM ELEVATOR DOORS, FOUR FIFTY SUTTER, SAN FRANCISCOJ. R. Miller and T. L. Pflueger, Architects irreducible cross section and the interven- planted flat on the piers and little over oneing windows pushed out to the limit with- inch in thickness, including the mortar bed-out any returns, the piers themselves are ding and necessary wire ties,covered with thin flat rectangular terra In considering the exterior, it will becotta tiles scored at the back for cohesion, seen that this careful space saving plays the 48 AND ENGINFXR. April. 14,^(1
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