The antique Greek dance, after sculptured and painted figures . Of the two dancers represented in Fig. 492, one shakes the 206 CHOREGRAPHY castanets, and leaps in place in the manner already described(305); the other, making an exaggerated gesture with her tunic(44) makes a Slide forward on the toe of the left foot. The headsand legs of both women are drawn in profile; the Torsos are in full-. Fig. 493. Fig. 4!)4. face. Was this mere clumsiness of design or was it the paintersintention to express the idea of the shoulder turned to the right?(150). More than charming is the series of dancers gr
The antique Greek dance, after sculptured and painted figures . Of the two dancers represented in Fig. 492, one shakes the 206 CHOREGRAPHY castanets, and leaps in place in the manner already described(305); the other, making an exaggerated gesture with her tunic(44) makes a Slide forward on the toe of the left foot. The headsand legs of both women are drawn in profile; the Torsos are in full-. Fig. 493. Fig. 4!)4. face. Was this mere clumsiness of design or was it the paintersintention to express the idea of the shoulder turned to the right?(150). More than charming is the series of dancers grouped two-by-twoon a little vase of the fourth century B. C.
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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance
