The practice of water-colour painting . *- 4pPH m-*. yi7V4;tf iMcn Aiih^ha,„, : lly /v< ,.7,i« of The hiiif - hi .V,., /,/ THE NEW DULL. MRS. ALLINGHAM perhaps, a little looser and less precise, but thisis the natural result of increased speed in work-ing rather than the outcome of a deliberateintention. The colours she generally uses are cobalt,ceruleum, permanent yellow, aureolin, orangecadmium, yellow ochre, raw sienna, rose madder,light red, and sepia. 43. MR. WILFRID BALL, , The principle which guides Mr. Wilfrid Ball inhis work from nature is a sound one enough—tofi
The practice of water-colour painting . *- 4pPH m-*. yi7V4;tf iMcn Aiih^ha,„, : lly /v< ,.7,i« of The hiiif - hi .V,., /,/ THE NEW DULL. MRS. ALLINGHAM perhaps, a little looser and less precise, but thisis the natural result of increased speed in work-ing rather than the outcome of a deliberateintention. The colours she generally uses are cobalt,ceruleum, permanent yellow, aureolin, orangecadmium, yellow ochre, raw sienna, rose madder,light red, and sepia. 43. MR. WILFRID BALL, , The principle which guides Mr. Wilfrid Ball inhis work from nature is a sound one enough—tofind out exactly what he wants to paint, and to doit at once. It is because he follows it so con-sistently that his water-colours have such a definiteatmosphere of frank intention, and such a clear,purposeful quality of handling. In learning howto make sure that the things he wants to paintare those which are really worth painting, he hasacquired also the power of setting them down withjust the right amount of executive brevity, andwith the measure of subtle suggestion that is ineach case appropriate to the subject. Therefore his paintings can always be acceptedas satisfactory examples of what may be called thesumming-up of nature. They represent effectivelythe broad aspect of the subject in each instance, 45 WATER-COLOUR PAINTING and they include sufficient detail to properly fillout the composition scheme without producingrestlessness of effect, and without fri
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectwatercolorpainting
