Roodscreens and roodlofts . heis holding may possibly be an anvil,which would be St. Adrians usualsymbol. It may, however, be meant forSt. Alban. It makes a good pendant tothe remarkable St. Sebastian a littlefurther on (ss. 32 B), and may becompared with the St. Victor at TorBrian. We think that it is pretty clearthat the same artist painted both to him comes St. Giles withhishart, also a unique figure. This is strange,as St. Giles was exceedingly popular in England. Then a mostinteresting group of receiving the stig-mata, which has greatlypuzzled the guide - bookmake
Roodscreens and roodlofts . heis holding may possibly be an anvil,which would be St. Adrians usualsymbol. It may, however, be meant forSt. Alban. It makes a good pendant tothe remarkable St. Sebastian a littlefurther on (ss. 32 B), and may becompared with the St. Victor at TorBrian. We think that it is pretty clearthat the same artist painted both to him comes St. Giles withhishart, also a unique figure. This is strange,as St. Giles was exceedingly popular in England. Then a mostinteresting group of receiving the stig-mata, which has greatlypuzzled the guide - bookmakers. It occupies twopanels. But we need notdescribe it, as we give a goodillustration (ss. 32c). Thelegend is closely adheredto, save that the CrucifiedSeraph has but two wings.(This subject occurs also atKenn, but there in one panelonly.) St. Gabriel is repre-sented a little further on,blowing a long horn, whichis unusual, except where heSCHRis^OPHfca forms part of the subject(BMDnincHj Qf »i^ ^yj^^^g mystique: SS. 31 ^ ^. (?/^LPMiaCBOfl) ss. 30b
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectchurcharchitecture
