. International Studio an Illustrated Magazine of Fine and Applied Art. THE marauder (OIL PAINTING) BY BRUNO LILJEFORS (In the Collection oj P. Furstemberg, Gothenburg: photo. A, Jonas son) i8S Bruno Liljefors. EAGLE-OWL (OIL PAINTING) their eggs and feed their young ; he hasthem at play and in deadly combat—andforgets nothing of what he sees, not asingle movement of bird or beast, northe waning light on the hillside ; hestores it all in the vast treasure-chamberof his memory. It almost goes without saying that aman and an artist of this stamp mustto an unusual extent become an auto-didact, wo
. International Studio an Illustrated Magazine of Fine and Applied Art. THE marauder (OIL PAINTING) BY BRUNO LILJEFORS (In the Collection oj P. Furstemberg, Gothenburg: photo. A, Jonas son) i8S Bruno Liljefors. EAGLE-OWL (OIL PAINTING) their eggs and feed their young ; he hasthem at play and in deadly combat—andforgets nothing of what he sees, not asingle movement of bird or beast, northe waning light on the hillside ; hestores it all in the vast treasure-chamberof his memory. It almost goes without saying that aman and an artist of this stamp mustto an unusual extent become an auto-didact, working out his own ends,and by intuition and unceasing studyacquiring those methods of expressionwhich best suit his artistic tempera-ment. Liljefors, however, has had afair share of academic training, forhaving completed his education atancient Upsala, he studied some threeyears at the Academy of Arts inStockholm, and afterwards went abroadfor a couple of years. But his indi-viduality was already then sufficientlypronounced so as not to be greatlyinfluenced by what he saw. No doubthe was impressed by, and learnedsomething from, the Japanese—part ofhis earlier work bears cut this, moreespecially some
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