. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . Here you have the Parts as they are Conipo-fed i and next you fhall have them Tet one at thsend of another, with a Mark direding where thsfollowing Parts are to comq in , as you fee in thisfollowing Example. 144 -^ Compendium of Catch of Four P ar Ts. iSi::d:dd:~::zd:iaif;p??p:t:??zz:t:t^ Having gi^en you thefe Lights and Inftrudi-ons for the Contrivance of Camn^ which is thejaft^nd (efleemed) the intricateft Part of Compo-iition ^ I muft refer the Exercife of it, to yourown Study and Induf
. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . Here you have the Parts as they are Conipo-fed i and next you fhall have them Tet one at thsend of another, with a Mark direding where thsfollowing Parts are to comq in , as you fee in thisfollowing Example. 144 -^ Compendium of Catch of Four P ar Ts. iSi::d:dd:~::zd:iaif;p??p:t:??zz:t:t^ Having gi^en you thefe Lights and Inftrudi-ons for the Contrivance of Camn^ which is thejaft^nd (efleemed) the intricateft Part of Compo-iition ^ I muft refer the Exercife of it, to yourown Study and Induflry. And now 1 have delivered (though in brief) allfuch Inftrudicns as I thought chiefly neceffaryfor your Learning of Praclkal Muftc. But it reftson your Part to put them in Pradice 5 withoutwhich, nothing can be effeded. For, by Singinga Man is made a Singer 5 and by Compofing hebecomes a Compofer. Tis Practice that bringsExperience i and Experience begets that Know-ledge which improves all Arts and Sciences. ^ ? ?Zii>
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Keywords: ., bookcentury1700, bookdecade1730, bookidcompendiumor, bookyear1732
