A dictionary of architecture and building : biographical, historical, and descriptive . at dome andsingular plan, Longhena combines Palladiauand barocco, while at the Scalzi (1G49-1G8,)),he has thrown oft all classic restraints. Aside,perhaps, from Sardi, the only architect of noteafter this was Slassari, in the eighteenth cen-tury, whose attempt at a hybrid style comlnn-ing the current feshion with earlier exampleswas a monumental failure, as seen in thechurch della PietJi, in the Gesuati churchcalled S. M. del Rosario, and in the PalazzoGrassi. The city of Padua is of little interest for the
A dictionary of architecture and building : biographical, historical, and descriptive . at dome andsingular plan, Longhena combines Palladiauand barocco, while at the Scalzi (1G49-1G8,)),he has thrown oft all classic restraints. Aside,perhaps, from Sardi, the only architect of noteafter this was Slassari, in the eighteenth cen-tury, whose attempt at a hybrid style comlnn-ing the current feshion with earlier exampleswas a monumental failure, as seen in thechurch della PietJi, in the Gesuati churchcalled S. M. del Rosario, and in the PalazzoGrassi. The city of Padua is of little interest for theRenaissance except for some works of a nativearchitect, Falconetto (1458-1534); but thetwo other principal cities of the province eachstand for the work of one of the most promi-nent architects of the Renaissance—Veronafor Sammicheli (1484-1559), and Vicenza forPalladio (150S-1580). Before then Frh Gio-condo () did some of his best workin Verona, his native city. Reference to thebiographies of these artists will be cities were so fortunate as to escape the. Italy, Part IV. — Venetia: Two Windows of TYPICALLY VEXETLiN FORM. barocco contagion. It must be noted that,before the time of Palladio, Vicenza had somegood early Renaissance works (the EpiscopalPalace and several private palaces). In the55;_> ITALY region more under the immediate inllueiice ofVenice we find its style prevalent. At Bellunothis is shown by the early cathedral (1517) byTullio Lonibardo, and the Palazzo dei Rettori,
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