. Programme. secondact. III. The Barcarolle^ sung by a soprano (she takes the part ofConsuelo in the ballet), and the Saraband^ a noble dance, are twoepisodes of the grand festival in the second scene. IV. A Tender Minuet. This minuet is danced by the younglovers to a tender theme. V. Nocturne and Final Dance (Act I). Here Lelio, the younglover, from whom his beloved has been taken, gives way to melan-choly in a moonlit park. One sees Terpsichore, surrounded by sixnj^mphs, descend from a fresco of Tiepolo, comfort Lelio, dance, anddisappear in the enchanted night. This score is derived from th
. Programme. secondact. III. The Barcarolle^ sung by a soprano (she takes the part ofConsuelo in the ballet), and the Saraband^ a noble dance, are twoepisodes of the grand festival in the second scene. IV. A Tender Minuet. This minuet is danced by the younglovers to a tender theme. V. Nocturne and Final Dance (Act I). Here Lelio, the younglover, from whom his beloved has been taken, gives way to melan-choly in a moonlit park. One sees Terpsichore, surrounded by sixnj^mphs, descend from a fresco of Tiepolo, comfort Lelio, dance, anddisappear in the enchanted night. This score is derived from the same musical conception as thatof the Suite in C major performed last year* at a Lamoureux Con- A. SCHMIDT & SON Established 1869IMPORTERS OF SILVER AND SHEFFIELD PLATEFINE PORCELAINS FINE AND EXCLUSIVE CHRISTMAS AND WEDDINGGIFTS OUR SPECIALTY NEWPORT^Ri 587 BOYLSTON STREET HYANNIs\4i?4^^ ^^^^y opposite the Hotel Copley Plaza WASHINGTON. BOSTON, MASSACHUSETTS Telephone:PASADENA, CAL. Back Bay 2931. cert. It presents the same peculiarities of style, the same qualitiesof lightness, clarity, and vivacity, after the manner of Scarlatti,with certain attempts at delicate archaism. When this Suite was published by Ricordi in 1919, the movementswere thus arranged and entitled:— I. Tempo di Marcia, Un poco grave (Allegro). Act II. II. Ronde des Enfants, Allegro molto vivace. Act I. III. Barcarolle.—Con moto, molto appassionato, Andantinotranquillo, quasi barcarola.—Sarabande, grave e nobile. Act II. IV. Pas des Vieilles Dames, Allegretto molto moderate e ridi-colo. Act I.* V. Nocturne.—Lento molto, sogrando, dolcissimo; Danse, moltovivace, grazioso e leggiero. In the Dance of Old Ladies, the air Amaryllis, known as thefavorite air of Louis XIII., is introduced. The score calls for four flutes (one interchangeable with piccolo),three oboes, English horn, two clarinets, clarinet in E-flat, bassclarinet, three bassoons, double-bassoon, four horns, four trumpets,three trombon
Size: 1312px × 1905px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
