Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 5/16 x 9 5/16 in. ( x cm). The point of view here is looking north from just under Ryogoku Bridge. Hiroshige provides a characteristically indirect depiction of one of the most interesting summer customs associated with the bridge, the ablutions of the Mount Oyama pilgrims. Instead of showing the spot under the br
Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 5/16 x 9 5/16 in. ( x cm). The point of view here is looking north from just under Ryogoku Bridge. Hiroshige provides a characteristically indirect depiction of one of the most interesting summer customs associated with the bridge, the ablutions of the Mount Oyama pilgrims. Instead of showing the spot under the bridge where they rinsed themselves before setting out for the sacred mountain, this view features pilgrims returning from the ablution site. The bonten, or huge assemblages of ritual paper strips dominating the composition, were used by the ascetics who spread the Oyama cult. The title of the print may seem confusing, since Asakusa River, Great Riverbank, and Miyato River all refer to the same river—the Sumida. Asian Art 7th month of 1857
Size: 1820px × 2746px
Photo credit: © BBM / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ?
