Rembrandt, his life, his work and his time . on, amounted to 9,960florins, the share for each child being 2,490 florins. Adriaen, with hissister Lysbeth as coadjutor, undertook the realisation of the was a debtor to the extent of some 1,600 florins to the estate,the administration of which necessitated a new deed of partition onNovember 2 To relieve Adriaen, Rembrandt had ac-cepted his portion in the form of a mortgage at long date onthe share of the mill. But being pressed for money, he gave hisbrother Willem a power of attorney to sell this mortgage. In 1 Certainly. I
Rembrandt, his life, his work and his time . on, amounted to 9,960florins, the share for each child being 2,490 florins. Adriaen, with hissister Lysbeth as coadjutor, undertook the realisation of the was a debtor to the extent of some 1,600 florins to the estate,the administration of which necessitated a new deed of partition onNovember 2 To relieve Adriaen, Rembrandt had ac-cepted his portion in the form of a mortgage at long date onthe share of the mill. But being pressed for money, he gave hisbrother Willem a power of attorney to sell this mortgage. In 1 Certainly. It is signed and dated in that year.—F. IV. 2 Oîid-Holland, v. p. 220, and viii. p. 174. 264 REMBRANDT spite of his habitual difficulties, he was the first of the family torepay to Adriaen his part of advances made by the latter on theproperty to be realised. Anxious to simplify matters as far aspossible for his co-heirs, he agreed to their various proposals inthat spirit of generous affection which marked all his dealingswith his A BEGGAR STANDING. About 1639 (B. 163). ™ • ?•iy*- *^*5y iSÉëâïJrSfl! jcfgjtissag! lp%â> *§^ja2ïlitaïSp g», >jxP j| ^^fcri 1?K>S .11 ÉssSia JeKSkSfewsssKfek *-*âSg<&j ?--*i-V Slop ^ba&iks&^fr^] P^siSsi», ji, is ^ai^fearwaaSBa igKEipiis ^^^StS^^icQej^sLQaiu., ^^/T- —.^=^ ^—-- •—--= - LANDSCAPE, WITH A MILL-SAIL ABOVE A (B; 226). CHAPTER XIII. THE CARPENTERS HOUSEHOLD (1640)— THE MEETING OF ST. ELIZABETH AND THE VIRGIN—MANOAHS PRAYER (1641) PORTRAITS OF THIS PERIOD: THE LADY WITH THE FAN AND RENIER ANSLO —ETCHINGS FROM 1640 TO 1642 PICTURES OF THE MILITARY GUILDS IN HOLLAND—THE SORTIE OF FRANSBANNING COCQS COMPANY, COMMONLY CALLED THE NIGHT WATCH (1642). AFTER the death of his mother, Rembrandtnaturally sought solace and distractionin his work, and in the affections thatstill remained to him. And, as may be readilyimagined, seeing how intimate the union betweenhis life and art had
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