. International studio. ONA I I li VSQl I i ol N 1 l<\ hundred ten SEPTEMBER I 9 2 2 inceRHACtonAL. countrj which goes back beyond all llx GUSTAVO D] MAEzti British. But seen through th< tracing in history. When De Maeztu Do Maeztu, her fai on the paints English types, as in Figures de club, cast of countenance of a lad} of Ins own the subjects and costumes arc thoroughly British In going to Paris and London, the artist did not and modish to the hour, but the faces, wherein leave his country, lie took it with him. character chieflj dwells, arc Basque, simple and Of the truth o\ this obse
. International studio. ONA I I li VSQl I i ol N 1 l<\ hundred ten SEPTEMBER I 9 2 2 inceRHACtonAL. countrj which goes back beyond all llx GUSTAVO D] MAEzti British. But seen through th< tracing in history. When De Maeztu Do Maeztu, her fai on the paints English types, as in Figures de club, cast of countenance of a lad} of Ins own the subjects and costumes arc thoroughly British In going to Paris and London, the artist did not and modish to the hour, but the faces, wherein leave his country, lie took it with him. character chieflj dwells, arc Basque, simple and Of the truth o\ this observat on anj 01 unadorned, lie lias painted a portrait of Lad} speedily impressed In a glan< Lavery, wife of the distinguished Irish artist, in figure subjects and his lai three which this same note is very marked. \ctually, such compositions as Boul de nu ?.. Pierrot a 1 adj 1 avery is typicallj and unmistakably IAuberge and the studj ol an elderij man. a S E r I 1 M II IK I I) 2 1 ? mceRHACionAL
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
