. Keramic studio. CUP AND SAUCER—LEOLA BULLIVANTST. LOUIS SCHOOL OF FINE ARTS KERAMIC STUDIO 145. PLATE (top)—MISS FELKER (Page H4) TEA TILE (center)—MISS KASPER (Page 157) PLATE (bottom)—MISS BROWN (Page 136) ST. LOUIS SCHOOL OF FINE ARTS 146 RE-RAMIC STUDIO CANDLESTICK Hazel Beak OUTLINE design in gold and fire. Second Fire—Tintentire candlestick a pale cream, using Ivory Glaze andLemon Yellow. Clean all gold spaces and fire again. ThirdFire—Oil the grey tone anddust with one part Grey Green,two parts Ivory Glaze and apinch of Lemon Yellow. Cleanall color and put on the goldand fire. Give a
. Keramic studio. CUP AND SAUCER—LEOLA BULLIVANTST. LOUIS SCHOOL OF FINE ARTS KERAMIC STUDIO 145. PLATE (top)—MISS FELKER (Page H4) TEA TILE (center)—MISS KASPER (Page 157) PLATE (bottom)—MISS BROWN (Page 136) ST. LOUIS SCHOOL OF FINE ARTS 146 RE-RAMIC STUDIO CANDLESTICK Hazel Beak OUTLINE design in gold and fire. Second Fire—Tintentire candlestick a pale cream, using Ivory Glaze andLemon Yellow. Clean all gold spaces and fire again. ThirdFire—Oil the grey tone anddust with one part Grey Green,two parts Ivory Glaze and apinch of Lemon Yellow. Cleanall color and put on the goldand fire. Give a fourth fire soas to go over all the gold bandsand outlines. PLATE BORDERS (Page 153Miss Kasper UPPER Plate. Trace de-sign in gold and Fire—Oil darkest partand dust with one part NeutralYellow, one part Pearl Grey andtwo parts Ivory Glaze. Cleanand fire. Third Fire—Tintentire border with Yellow Brownpadding till an even and delicatecream tone. Clean out all goldspaces; when dry fill with gold,then fire. Fourth Fire-Go overall gold spaces and outlines. Centre Plate—T
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