. Programme. four trumpets introducea march, beginning pianissimo and gradually swelHng to the full strengthof the orchestra. The working up of this march-theme is exceedinglyelaborate, and continues until the end of the composition.* Proksch wrote on October 16, 1858, to Smetana: You have made ahappy choice in putting your hand on Schillers Wallensteins Campfor writing introductory music. The poem is capable of being sym-phonized, for there is very rich and varied material. If this fortunatechoice turns out well for you, you are sure of making an epoch with it. Miloslav Rybak, quoted by Willi
. Programme. four trumpets introducea march, beginning pianissimo and gradually swelHng to the full strengthof the orchestra. The working up of this march-theme is exceedinglyelaborate, and continues until the end of the composition.* Proksch wrote on October 16, 1858, to Smetana: You have made ahappy choice in putting your hand on Schillers Wallensteins Campfor writing introductory music. The poem is capable of being sym-phonized, for there is very rich and varied material. If this fortunatechoice turns out well for you, you are sure of making an epoch with it. Miloslav Rybak, quoted by William Ritter in his Smetana (Paris,1907), has pointed out that in this poem where the subject allowed theuse of Czech musical material, Smetana does not seem even to haveperceived the opportunity. And the evolution in him of the feehngfor national* music ^would be marvellously illustrated by a parallelbetween the opening of this Camp of Wallenstein, with its hurly-burly * W. F. Apthorp. AMERICAS FOREMOST FLORIST. LOWERS BOSTON1 PARK STREET AND 549 BOYLSTON STREET COPLEY SQUARE NEW YORK561 FIFTH AVENUE AT 46th STREET
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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881
